the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...

I m eet the Old Masters dealer Ben Hall at his private Upper East Side gallery and office, which sits in a five-story ...

Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...

The Restless Vision” by Jackie Wullschläger.

A Biography” by Ann Schmiesing.

David Platzer on “Louise d’Orléans, First Queen of the Belgians: A Romantic Destiny” at the Musée Condé, Château de Chantilly ...

Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.

Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...

S oo n after the opening of the 1934 Venice Biennale, Juliana Force, the commissioner of that year’s U.S. pavilion, was ...

Brooke Allen on “All the Rage” by Virginia Nicholson.

Eric Gibson on the influence between the two contemporaries.

Infinite are the numbers of fools,” as one of the exhibition’s wall quotes from the Douay-Rheims Bible (1582) has it. The ...