It didn’t take them long at the start of their career to reject the grindcore label, they are currently rebelling against the ...

We are only a few weeks away from end-of-year chartmageddon, the point at which we will be forced, whether we like it or not, ...

The British electronic music producer proves himself, once again, a consummate perfectionist – but it's the subtle ...

A startled Jocy de Oliveira looks out at the sea: it’s well past time the grand piano should be brought ashore. She oversees ...

Angus Batey carefully places Death Certificate, one of hip hop's most offensive offerings, in the context of its 1991 release ...

Melting Pillar of Snow is a dense exploration of time and decay that feels more like a static monument than a living listening experience ...

Across a career that now spans more than two decades, Andy Stott’s name has become synonymous with a style of electronic ...

The festival of leftfield electronic music is back for a second year, featuring live performances by Nik Colk Void, Sculpture ...

Throwing Muses’ self-titled debut album is being reissued to mark its 40th anniversary. The album has been out-of-print for ...

I’ve not yet jumped on the discourse bandwagon about 300SkullsAndCounting & Jenny Sparks, debates over whether its treatment of millennial aesthetics is an act of hackneyed recycling or innovative ...

If Marr doth protest too much, then on his latest album The Age Of Everything, he appears to be reclaiming his Smiths legacy ...

The Flaming Lips have a new album on the way, titled The Teardrop Throbs. Featuring 13 tracks, the record marks the band’s first release for Jack White’s label, Third Man Records. It’s the band’s ...